尹麗娟於香港理工學院修畢高級陶藝證書課程，期後取得香港中文大學藝術學士及碩士，現於香港浸會大學視覺藝術院任助理教授。藝術家的創作世界，往往跟現實世界建構出一種兩束蘆葦相依而立的因果關係，相輔相成。作品如《珍百貨》、《陶書》系列，觀眾往往需要對現成物，或是對原有物件、書藉內容有所認知，才能感受到作品議題上的厚度。前者以商品與陶瓷複製品有形與無形地並列，引發價值、消費、記憶等議題；後者既打破陶瓷製作的慣常技法，再由書的消逝，到陶書以另一方式重生，引發具哲理的思考。從倒模、燒製收縮，甚至泥板等基礎上，尹麗娟壇長透過陶瓷中的技巧及物料性質切入，融入到概念性的思考與創作中。一體兩面，藝術家正從創作中，思考陶瓷的本質。

Artist Annie Wan Lai Kuen, graduated from the Polytechnic University, completed advanced ceramics certificate program. Then, She obtained her BA and Master degree from the fine arts department of the Chinese University of Hong Kong. She is currently working as Associate Professor at the Academy of Visual Arts of the Hong Kong Baptist University. The creation world of artists usually establishes a causal relationship with real world. There are artworks such as ‘Zan Baak Fo’ and ‘Fragile book’ series , in which audience are required to have savvy about the found objects, original materials or books’ content, in order to grasp the depth of the artwork subject. The former is arrayed both tangible and intangible via commodities and ceramics copies, arousing subjects like value, consume, memory; The latter breaks the conventional techniques of ceramics practice, provoking more philosophical rumination based on the fade-away of books to the regeneration of ceramics books. From the foundation of casting mould, shrinkage to slab building, Annie is good at thinking through the skills and materials properties of ceramics, to immerse into the conceptual creation. In both sides, artist is pondering on the essence of ceramics from art creation.